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Bird

Bird

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Director: Clint Eastwood
Actor: Forest Whitaker
Studio: Warner Home Video
Category: DVD

List Price: $12.97
Buy New: $4.00
as of 5/23/2012 23:34 MDT details
You Save: $8.97 (69%)

In Stock


New (48) Used (10) from $3.98

Seller: Selection Video Inc. (1985)
Sales Rank: 11,321

Format: Color, DVD, NTSC
Languages: English (Unknown), English (Original Language)
Rating: R (Restricted)
Autographed: No
Memorabilia: No
Region: 1
Discs: 1
Aspect Ratio: 1.85:1
Running Time: 161 Minutes
Shipping Weight (lbs): 1
Dimensions (in): 7.5 x 5.3 x 0.5

MPN: WARD149744D
UPC: 883929126392
EAN: 0883929126392
ASIN: B003ASLJJK

Release Date: June 1, 2010
Availability: Usually ships in 1-2 business days

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Editorial Reviews:

Product Description
The year: 1946. The event: Oakland's "Jazz at the Philharmonic." The music streaked into the unknown, daring listeners to grab hold and fly there, too. On stage was the creator of those new sounds: Charles "Yardbird" Parker. In the crowd was the 16-year-old who would someday bring Parker's extraordinary story to the screen: Clint Eastwood. "Americans don't have any original art except Western movies and jazz," observes Eastwood. Movie fans, of course, know that few heroes sit as tall in the saddles as Eastwood. Now the legendary America icon, whose Dirty Harry films have been praised for their jazz scores, ventures deeper into that other original American art. Eastwood produces and directs Bird, a film burnished with the magic of that 1946 concert encounter between legend and future legend and honored with an Academy Award for Best Sound in its spellbinding recreation of a man and his music. Like jazz itself, Bird rings with counterpoints and embellishments. Past and future overlap as the film explores Yardbird's soaring skill and destructive excesses.

Amazon.com
Clint Eastwood's moody, evocative direction and Forest Whitaker's strong, sensitive performance are the chief proponents to recommend an otherwise muted biopic of '40s jazz legend Charlie Parker, who fell victim to his chemical excesses and convinced the doctor who pronounced him dead that he was a good four decades older than he actually was. The film doesn't try to assign clear blame for Parker's demons, though the era's racism is addressed unflinchingly. Clearly a labor of love, Eastwood's movie structurally attempts to ape the angular music of bebop itself (there are flashbacks within flashbacks, which gets a little confusing), but doesn't quite capture the smolder of the period. Diane Venora registers strongly as Bird's wife, Chan, the woman who can't rescue Bird from the abyss into which he peers. --David Kronke


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